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Language · Japanese

Kana to Romaji

Convert hiragana and katakana to Hepburn romaji, handling small tsu, ん, and long vowels.

Hiragana or katakana, or a mix of both. Anything else passes through unchanged.
Long vowels written with ー
Try an example
Romaji (modified Hepburn)
nihongowo benkyoushimasu

Small っ doubles the next consonant, ん takes an apostrophe before a vowel or y, and ー lengthens the vowel before it.

Kanji is not converted, because reading it requires knowing the word. Long vowels written as おう or うう are left as written, since only a dictionary can tell とうきょう (Tōkyō) from a word where the two vowels genuinely belong to different syllables.

Hepburn romanisation maps each kana to the Latin letters an English speaker would read closest to the Japanese sound. がっこう becomes gakkou because the small っ doubles the following consonant, and トーキョー becomes tōkyō because ー lengthens the vowel before it.

Why Hepburn rather than the alternatives

Japanese has three romanisation systems in circulation. Hepburn spells sounds the way an English speaker would read them, which is why し is shi and つ is tsu. Kunrei-shiki, the system taught in Japanese primary schools, keeps the kana table regular instead, giving si and tu. Nihon-shiki is older and more regular still.

Hepburn is what passports, road signs, and almost all English-language publishing use, so it is the default here. If you have seen a name spelled two different ways — Itiro against Ichiro — the difference is usually Kunrei against Hepburn rather than an error.

The three rules that trip people up

Most kana map one to one, and the interesting behaviour is at the edges. The small っ is not a sound of its own: it holds the following consonant, so きって is kitte. Before ch it is written t rather than c, giving matchi for マッチ.

ん is a syllable in its own right, and before a vowel or y it needs an apostrophe to stay readable — じゅんあい is jun’ai, not junai, which would be read as a different word. And the katakana ー lengthens the preceding vowel, written either with a macron (ō) or as a repeated vowel (oo) depending on house style.

Worked example: がっこう

Read the kana in order, applying the gemination rule in the middle:

  1. 1
    Take the kana one at a time. が, っ, こ, う — four characters, but only three sounds.
  2. 2
    Romanise the first. が is ga.
  3. 3
    Hold the consonant at the small っ. The small tsu doubles whatever consonant follows it, so the k of こ is written twice.
  4. 4
    Continue through the rest. こ is ko and う is u, giving gakkou.
  5. 5
    Decide how to write the long vowel. Some styles write this word gakkō with a macron. This converter leaves おう as written, because only a dictionary knows when the two vowels belong together.

The rules this converter applies

Everything else is a direct one-to-one or two-to-one mapping from the kana table.

InputRuleExample
っ or ッDoubles the next consonantきって → kitte
っ before chWritten t, not cマッチ → matchi
ん before a vowel or yTakes an apostropheじゅんあい → jun’ai
ー (katakana)Lengthens the vowel before itラーメン → rāmen
きゃ, しゃ, ちゃ …Two kana, one syllableきょうと → kyouto
ファ, チェ, ヴィ …Katakana sounds for foreign wordsファイル → fairu

What a converter cannot decide for you

Two things genuinely require knowing the word rather than the characters. Kanji is left untouched, because the same character has different readings in different words — 生 alone has more than ten. Any tool that appears to romanise kanji is either using a dictionary or guessing.

The second is おう and うう. In とうきょう the おう is a long o, conventionally written Tōkyō. But in words where the two vowels belong to different parts — such as 子牛, koushi — writing them as a long vowel would be wrong. Since the characters look identical, this converter leaves them as written rather than guessing.

There is also a small variation worth knowing: traditional Hepburn writes ん as m before b, m, and p, giving sempai where modified Hepburn gives senpai. Modified Hepburn, used here, is the more common modern convention, but both appear in print and neither is wrong.

What is the difference between Hepburn and Kunrei-shiki?
Hepburn spells sounds as an English speaker would read them, giving shi and tsu. Kunrei-shiki keeps the kana table regular, giving si and tu. Hepburn is what passports, signage, and English-language publishing use.
Why does っ become a doubled letter?
The small tsu is not a sound of its own — it holds the following consonant for an extra beat. Romanisation shows that by writing the consonant twice, so きって becomes kitte.
Why is there an apostrophe in jun’ai?
Without it, jun’ai and a word containing the syllable na would look identical in romaji. The apostrophe marks that ん is its own syllable rather than the start of the next one.
Can this convert kanji?
No, and no rule-based converter can. The same kanji has different readings in different words, so romanising it requires a dictionary and word-boundary analysis rather than character mapping.
Why is おう not written as ō?
Because the characters cannot tell you whether the two vowels form one long sound or belong to different parts of the word. Tōkyō is a long o, but koushi is not, and both are written おう.
Should I write senpai or sempai?
Both appear in print. Modified Hepburn, used here, keeps n before b, m, and p; traditional Hepburn writes m. Neither is an error, though senpai is the more common modern spelling.
How do I write a macron if my keyboard has none?
Switch the long-vowel setting to repeat the vowel instead, giving oo rather than ō. Many publications do exactly this, and some drop the distinction entirely.